Brendan Nash, a photographer for the Torch that
we've never met before, has the ability to freeze people into waxwork
statues. He uses that ability to trap several students from Smallville
High inside a large replica of the school that he had his dad build for
him. It's the last day of school for each of these students, but Brendan
doesn't want to let go of the "best years of his life", hence the giant
prison cell. One of those students is Chloe. Another is Lana Lang.
Meanwhile, Lionel and Lex are being held in a log cabin in the woods by
Jason and Genevieve. Genevieve threatens to kill Lex in front of his
father unless Lionel coughs up the wareabouts of the stone. Also, Clark
has made the decision to go to a much less prestigious college in
Smallville, rather that Met U. This decision upsets Jonathan, who
believes Clark is only making it in order to stay home to help with the
farm, jeopardizing his future potential.
Well this is an episode
of two halves, that's for sure! Everything that ISN'T the Brendan Nash
plot is absolutely great. The Nash plot itself, not so much! It has it's
moments, such as the head being thrown down the stairs and Lois and
Clark working together like they're in an episode of the 90's TV show.
But the idea that Brendan could faithfully reconstruct half the school
inside his dad's warehouse, even if his dad helped him, is utterly
proposterous! It's one thing to rebuild the rooms and corridors, but
decorating parts of it, such as The Torch office, to the point that even
Chloe is fooled, just requires too much suspension of disbelief. And
how on earth did Nash even get Chloe into that place without her
realizing, given that the people he freezes still appear to be conscious
once frozen? It's ridiculous!
However, I really love the other 2
plots that are going on. It's fun seeing Lex and his father having to
work together in order to break free from Jason and Genevieve, clearly
having not learnt her lesson in the previous episode, but with Lex still
unable to trust Lionel as far as he can throw him. Seeing Lionel get
under Jason's skin does clue us in to how Jason really feels about Lana.
It makes him a more complicated villain as we see that he is genuinely
torn between the love he feels for his former girlfriend and the duty he
feels towards his mother.
Finally, there's the stuff between
Clark and his dad, which I really enjoy. At first, he totally comes off
as his typical stubborn self, which does lead to a really funny moment
he has with Martha as he chops wood in the barn. But as his reasoning
become clear I find it very easy, as a parent myself, to completely
understand where he is coming from. No good parent wants to be the
person responsible for holding their child back. But Clark's response is
quite beautiful and really shows maturity beyond his years as he thinks
about the kind of son he wants to be. I love that moment.
If
they could have had a better freak of the week thrown into the mix, or
none at all, this could easily have been one of the best episodes of the
season. Unfortunately, it is there, which really drags the score for
this one down considerably.
6/10
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