The last phantom is on the hunt for a
kryptonian in order to copy there DNA and become just as powerful.
That's bad news for Clark. Lana leaves Lex, which supposedly leads to
her demise. Martian Manhunter convinces Clark that Lionel is on his side
but is unable to convince him not to go up against the phantom and risk
creating a bizarre version of himself. And Lois is critically wounded
trying to break into Reeves dam, only to have Chloe save her at the
expense of her own life, when her meteor power reveals itself.
The
opening scene for this episode has to be the darkest teaser we've ever
had for the show. It's very intense, like something right out of a
horror film. The Exorcist meets David Cronenberg. I'd totally forgotten
how full on it is. It definitely made me sit up straight.
Lionel
tells Lex the truth about Lana, how he forced her to marry him. You can
see how much it hurts Lex. Even now, after everything he has done, I
still believe that Lex loves Lana and wanted her love in return. But
he's so incapable of letting that love manifest itself in the proper,
healthy way, that he just destroys it in his futile attempt to control
it. It's the most tragic aspect of his character.
Clark says
goodbye to Martha as she heads to Washington. I know that Martha does
return, but it's nowhere near as often as we are used to. That's why
this sort of feels like the show is saying goodbye to her in a way. But
it's very underplayed. I like that Martha tells Clark to think about
moving away from the farm. She understands that his ties to his home
might in fact be holding him back, which is quite true of many young men
in this day and age, I would imagine.
Lana tells Clark she's
leaving Lex and he tells her everything about his secret. About bloody
time is all I can say! This episode does seem to drop a tonne of truth
bombs. Everyone seems to be confessing left and right. There's Clark
telling Lana his secret. We've got Lana telling Lex she wants to leave
him, as well as telling Clark about what Lionel did. Then we've got
Lionel coming clean about being Jor-El's emissary with Martian Manhunter
dropping in to tell Clark his reason for being on Earth. It's all very
refreshing I must say.
I love that Clark gives Lionel a good
thrashing. Again, it's long overdue. I flinch, however, when Lex hits
Lana. Not necessarily because I care for Lana so much, but because it's
such an act of cowardice from Lex, that's hard to see even him sinking
down to.
Clark and Chloe track the phantom who is in the body of a
small boy. It's super creepy to see this little kid in what I can only
describe as a "possessed" like state. Again, it reminds me of a film
like The Exorcist or something like that.
Lois gets stabbed
breaking in to Reeves dam. I know she's an "army brat" as she is often
fond of telling people. But sometimes I find her ability to take down
fully trained military personnel to be a bit of a stretch, so it's nice
to see one such fight that she has here end with dire consequences for
her. It's far more believable.
Lana is "blown up". The moment has
zero impact because I never believed for a second, even when I saw it
the first time, that she was inside that car. The moment that does have
impact though is Chloe's supposed death. That's mostly down to the
absolute first class performance from Alison Mack. But also, given the
fact that Chloe is not a character from the comic books, there was
always the possibility that the show was going to kill her off. And if
this had have been that time, it would have been a perfect send off for
the character, just because of how bad it makes you feel that she is
"gone".
I don't know why but I found it hilarious when Lex uses
his scientist as a shield. It's terrible behaviour from him but it's
absolutely first rate comic book villainy.
The climatic battle
between Clark and 'Bizarro' is pretty epic. It's not as prolonged as,
say, the fight with Titan, but the level of destruction that comes from
the two Clark's trading blows is awesome in scale. Awesome stuff!
10/10
The Smallville Review
With Smallville having come to the end of its ten year run in 2011, I thought I would go back to the beginning and review every episode, talking about each one within the context of the entire show. Any Smallville fans out there, please feel free to comment, whether you agree or disagree with my scores.
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Tuesday 22 September 2020
Episode 6.22: Phantom
Monday 21 September 2020
Episode 6.21: Prototype
Sunday 20 September 2020
Episode 6.20: Noir
When Jimmy Olsen is knocked
unconscious by an unknown assailant, he "wakes up" in a fantasy world, a
world shaped by his love of old detective noir thrillers of the 1940's.
In this fantasy world he is a reporter trying to get to the bottom of a
story that has parallels to real world events that took place before he
was assaulted, namely, the shooting of Lana Lang.
The 1940's
period detail is incredible in this episode and the black and white
cinematography is quite beautiful. Unfortunately, everything during
these sequences feels far too drawn out. It really doesn't add much that
a simple conversation between Chloe and Jimmy, about the evidence that
was found at the crime scene, couldn't have provided. This is a
conversation they end up having anyway so take the dream sequences out
and it wouldn't really affect the narrative all that much.
One
interesting aspect of these sequences though is the exploration of the
ways in which the subconcious mind can work things out sometimes in ways
that the concious mind has not. It has been said that, "dreams are
answers to questions we have not yet learnt to ask". I feel this is
conveyed quite nicely through Jimmy in this episode, even if I'm not
quite fully engaged with the story that unfolds inside Jimmy's
subconcious mind.
The fact that Jimmy instantly recognizes Clark
with glasses does highlight the ridiculousness of the very idea that
anyone could be fooled by such a disguise.
The real world scenes
are more entertaining for me and feel a lot more meaty. Although, unless
I missed something, I don't believe the question of who shot Lana, and
why, was definitively answered. We are merely presented with a few
possible candidates behind it in Lex, Lionel, and a senator working with
Lex.
I like that we see Jimmy's passion for old movies reflected
in his ability to quote, word for word, scenes from The Big Sleep. It
is an endearing quality in a character that, so far, I've not found all
that endearing.
This episode tells us that Lionel's reasons for
blackmailing Lana were to protect Clark. Lionel has told us this much
already, which has always left open the possibility that he is really
one of the good guys. But his methodology of protecting Clark by using
the woman he loves, as a pawn to get close to Lex, tells us everything
we need to know about the man. He is still manipulative. He is still
careless with other people's lives. He still has his own agenda and he
is still not to be trusted.
7/10
Saturday 19 September 2020
Episode 6.19: Nemesis
Lex and Clark are trapped inside a vast
underground tunnel system that's part of one of Lex's schemes. The woman
responsible for trapping them believes that Lex knows what happened to
her husband, a former military officer who supposedly died in a
helicopter crash.
I don't usually like it when Lana "goes to the
dark side" as I'm not often convinced that she really means it. The
scene where she threatens Lionel in the hospital, however, is an
exception. It's a great scene and I buy Lana's threats because she has
every reason at this point to truly hate both Luthors.
This is
one of those episodes where Lex gets to see Clark appearing to be just
as human as anyone, little realizing that it is the meteor rock, which
is all around them, that causes Clark to suffer injury. But it's always
fun watching Lex's reactions to these moments as he looks at Clark in
total disbelief that anything could have made him bleed. Clark is a
total contradiction to Lex. He knows he has powers. But then these
moments totally screw with his head, which is awesome!
I love all
the stuff between Clark and Lex down in the tunnels but, no matter what
Lex says or does at this point, there's just no sign of anything that
could bring him redemption. He talks of his genuine love for Lana, but
he has absolutely no idea what genuine love truly is, as evidenced by
everything he's done to her.
I've never been the biggest fan of
Clark and Lana getting together but, when Clark and Lex are met by Lana
when they first get free from the tunnels, I genuinely wanted her to
give Lex the finger and walk away with Clark.
Lana's final words
to Lex, "I don't know what I ever did to deserve you", really do feel
spoken in sadness and anger at being so unfortunate. It's another great
scene, in which she is essentially telling Lex that she knows
everything, without telling him that she knows anything. The whole time
Lex looks like a man about to break under the weight of all his own
guilt. Once again though, it is not lost on me that Lana, who spent so
long getting pissy with Clark for keeping secrets, has now become quite
adept at telling lies.
At one time I would have said that Clark
was partly responsible for the path Lex has chosen. But sooner or later
people have to accept responsibility for the choices they make and, at
this point, Lex has made all the wrong choices. It is nice though to see
Clark address the possibility that he may have given up on Lex too
soon. But, as the final scene shows, Lex just isn't to be trusted. He's
very good at playing the wounded animal. But, ultimately, he's always
got his own agenda.
10/10
Friday 18 September 2020
Episode 6.18: Progeny
Chloe's mum is being held by Lex in one of
his level 33.1 offshoots. She has the power to control people with
meteor infected abilities. One of those people just so happens to be her
own daughter. When Chloe begins waking up with memory gaps and clues
that point to her having done some questionable things, she begins to
think that it may be the start of her latent meteor powers rearing their
head. But with help from Clark, she soon discovers that it was her
mother who was responsible, using Chloe to try and get her out of her
entrapment.
Great to see original Wonder Woman herself, Linda
Carter, show up here as Chloe's mother. She's wonderful in the role and I
really enjoy the scenes between her and Mack as well as her and
Rosenbaum.
It's also great to have so many scenes between Chloe
and Clark. I love it when the two of them work an investigation
together. It's like watching a teenage Mulder and Scully with super
powers. They always have great chemistry and I love how Clark looks out
for her like a true friend.
Lex is a right git in this one. He's
well and truly gone over to the darkside now, with the way he treats
Chloe's mum, the bare faced lies he dishes out to Lana on a regular
basis, and the threats he unleashes upon Chloe. The way he sneaks up on
her while she types up her article is just like season 2 Lionel. The son
truly has become the father. Rosenbaum is great as always of course.
I
find it somewhat mind boggling that one of the meteor freaks being held
in Lex's compound has the power to throw guards across halls and yet
only tries to escape when being controlled by Chloe's mum. It's also
something of an annoyance that Chloe's dad seems to be completely out of
the picture in an episode that really should concern him. It's like he
doesn't exist anymore.
This is the episode where Lana finally
learns that there never was a baby. I love how the doctor goes from
thinking she faked the pregnancy, in order to get a billionaire to marry
her, to realizing that she was totally clueless about it. It would be
an obvious assumption to make but the actor playing the doctor does just
enough with subtle mannerisms to show his change from accuser to
sympathiser. Good performance there from such a bit part player.
It's
really tragic that Chloe gets her mother back only to lose her again.
It reminded me of the film 'Awakenings', where there are people with the
power and resources to bring people back to being fully compus mentus,
but refuse to do so because it's simply not within their best interests.
And that film was based on a true story so knowing that makes
everything that Chloe goes through here feel much more grounded.
A touching episode overall with just a few minor logic quibbles.
8/10
Thursday 17 September 2020
Episode 6.17: Combat
I get that Clark is feeling emotionally battered after the events of the previous episode but I feel his going off the rails routine is a bit of a rehash of the way he acted just after his father died. It's like we are treading ground previously taken, which makes Clark really seem like someone who doesn't learn from his past mistakes. It's not that I don't think he should get angry, but I guess I just don't like the way he talks to Martha at the start. Their relationship is better than that.
The online footage of the underground krypto-freak fight that Chloe shows to Clark is quite laughable. You have shots and camera moves that could only be made by a camera operator who was in touching distance of the fighters. As a camera operator myself this is something that always bugs me in TV shows when I see it.
Scenes between Lex and Lana at this point are just really uncomfortable to watch. Yet, and I don't know if this is just because of how good Rosenbaum is as an actor, I still can't help but feel bad for Lex. Maybe it's the knowledge that, despite his own manipulations, even Lex is a victim of his own father's underhanded dealings with Lana. If not for Lionel, the truth would be out and Lex would have to deal with that, instead of dealing with the (perfectly justified, admittedly) cold shoulder from Lana. Though, let's be honest, it's somewhat ironic that Lana, who constantly moaned at Clark for "keeping secrets", now has to live a life built upon them.
The moment when Chloe is startled by Clark knocking her drink over when he super speeds his way in was pretty funny.
At first, I was disappointed in Lois when she asks Chloe to give her a story, then dumbfounded when Chloe leaves her laptop behind knowing full well that Lois is interested in what's on it. But, all credit to Lois, she gets onto the story, not by digging through Chloe's computer, but by using her own knowledge to decipher something Chloe had missed from a photo she threw in the trash.
I love how Lois drops the line about being able to do a "killer stars and stripes routine" when trying to get around Ashley. Any true fan of the show will instantly know what that's in reference to. Can't say I'm fond of Ashley's acting chops, or the lack there of, but it's fun seeing Lois beat her ass.
I must say that I do find it somewhat strange that Clark is completely on board with killing Zoners. And his attitude can't just be put down to his current anger issues. After all, he dispensed with the Zoner from Wither in just as rash a fashion. Even though he does come to his senses by the end of the episode I feel this element of the story is slightly mishandled.
I kinda feel sorry for Erica Durance having to wear that red pvc costume. She really does look uncomfortable in it. Pretty amusing to see her reaction to punching the "man of steel" however.
The guy who plays Maddox seems to flipflop between acting well and just plain overacting, but he's dispensed with before I have the chance to really make up my mind which one it is. Which brings us to Kane as Titan. First off, the fight between him and Clark is pretty badass, though the way that Kane falls on his own weapon seems like one of those "physical impossibility" type of deals. Secondly, Kane's acting is abysmal, but thankfully little is asked of him beyond being a physical adversary for Clark. I still wish they'd have swapped the parts around that they had for Kane and Dave Bautista in this season. Bautista would have been a lot better as Titan in my opinion.
The look on Lex's face when he tells Lana about losing the baby is just... evil! All sympathy towards him is gone in this moment. Even at the end where we see him crying one has to wonder who he is shedding tears for. Is it the baby that never was? Was he wishing it was real? Or is it for the pain he's caused Lana? Or is it in fact tears in mourning for the loss of his very own soul?
8/10
Wednesday 16 September 2020
Episode 6.16: Promise
It is the day of Lex
and Lana's wedding. Lana uses Chloe to put Clark to the test so that
she can learn his secret. Lex fears that Lana won't show up at the
church, prompting Lionel to manipulate her into following through on her
promise to Lex, which means breaking Clark's heart in the process.
Also, Lex ends up killing Lana's doctor after the man tries to blackmail
him with threats of revealing the truth about Lana's pregnancy.
It's very relatable to see Clark dealing with the probability that all the reasons he's had for not telling Lana his secret were really just to hide the fact that he was too chicken to set himself up for rejection. However, I feel that it's way too late in the day to be exploring this aspect of his character, for the simple fact that Clark flipping well knows that Lana loves him. Not to sound like a stuck record but, he proposed once already and she said yes, so to have doubts at this point about how she feels is mind numbingly stupid on his part. This would have been more suitable to explore in season one or two, not season six.
I love the look on Clark's face though when Lana tells him to meet him at 5 because she's "not going to marry Lex". He looks like the cat who got the cream. But I can't help but feel that Lana has acted selfishly in some respects in waiting until now. Would she still be acting this way if she hadn't secretly learned Clark's secret? Don't get me wrong, I'm not feeling sorry for Lex at this point given what he's done, but as far as Lana is concerned, she is unaware of the truth concerning their baby, which means that, right now, she is a woman preparing to run off with another man and betray the father of her child. It's almost a callback to the behaviour we saw from her great aunt in the season 2 episode 'Relic'.
The scene between Lex and Lionel at Luthorcorp, where Lionel promises Lex that Lana will be there at the wedding, is a really great scene. Lex shows a rare moment of emotional vulnerability in front of Lionel and I believe, in this moment, Lionel truly loves his son. It's obvious that he's about to go off and plot something, but it will be a devious act that is intended for the right reasons, not to hurt Clark and Lana but to look out for the wellbeing of his son.
When Lex snaps and kills the doctor who tries to blackmail him, I feel it was a mistake to have it looking accidental in the last moment. There should have been no ambiguity here. Given everything Lex is already guilty of this would have been the perfect moment to have him commit the ultimate tresspass with total intent.
Love the callback to Tempest and Vortex with Lana's dream. It's nice to see that such a pivotal moment still plays through her mind after all this time.
It's pretty funny that we haven't seen Aunt Nell in, like, forever and now she finally pops up to offer Lana some "sage" advice that leads her into acting deviously in order to learn the truth. This scene only serves as a way of trying to absolve Lana of having acted the way she does. But it's unnecessary. There's no reason she couldn't have made this decision on her own. But the writers would rather turn Nell into the irresponsible parental figure than allow Lana to be painted in a negative light. As a result they only make her look worse.
There's a moment where Lionel strikes Lex after finding the doctor's body in the crypt. He suggests that Lana has made him weak and it is Lex's grovelling response that shows us that, in the most twisted of ways, Lex really does love Lana. But when he loves something or someone, his fear of losing them gives way to his need to control everything. It's tragic! He creates the whole phantom pregnancy situation, presumably to make Lana feel like she has to marry him. He does this because he loves her so much that he genuinely wants her to be his wife. But the level of doubt in himself is so great that he cannot trust that he is enough to make Lana want to spend her life with him. And so... control the outcome... phantom pregnancy. Like I said, tragic, on so many levels.
It annoys me that Lana can't at least be honest with Clark at the end. It feels like she is unnecessarily putting herself into the role of martyr when, actually, she should come clean with Clark and give him a headsup about Lionel threatening to kill him. If she believes that Lionel truly has a way to kill Clark, then she is putting him more at risk by keeping him in the dark than what she would if she gave him valuable warning.
8/10